U2's 'From the Sky Down': What the Critics Are Saying (Video)

Twenty years ago, U2 was at a crossroads in its career.our editor recommendsToronto 2011: U2's Bono in Spotlight on Opening NightShowtime Acquires U2 Documentary 'From the Sky Down'Billboard Music Awards: U2 Accepts Touring AwardMysterious U2 Album Cover Boy, Now 37, Gives Interview After reaching international success with their 1987 album The Joshua Tree, the rockers had a lot of pent-up tension. They could have broken up. Instead, they went on to reinvent themselves with Achtung Baby. PHOTOS: 13 Films to Know at the Toronto Film Festival In Oscar winner Davis Guggenheim's (An Inconvenient Truth) documentary From the Sky Down, the band members -- Bono, the Edge, Adam Clayton and Larry Mullen -- appear in never-before-seen 20-year-old footage in Berlin's Hansa Studios as they set about to "rethink" the album. The film, which premiered in Toronto last month and debuts at 8 p.m. Saturday on Showtime, also features new interviews with the quartet as they look back on the painstaking process. [Watch the trailer below.] So what do the critics have to say about the doc? The Hollywood Reporter's John DeFore wrote that the movie will likely appeal to both "lapsed" and current U2 fans. "Though less obviously cinema-worthy than director Davis Guggenheim's recent 'big issue' docs, the film ... certainly holds the interest of viewers who have cared much about any phase in the band's long life," he wrote, adding: "The film's account of the ensuing Achtung Baby sessions is interesting enough to hold non-obsessives' attention: The one scene that initially looks unforgivably navel-gazey, featuring a long DAT playback, turns out to capture the surprise birth of the hit "One" within a meandering improv for another tune." STORY: Showtime Acquires U2 Documentary 'From the Sky Down' The Los Angeles Times' Robert Lloyd, meanwhile, calls From the Sky Down a "fascinating" documentary. "It has been made by Davis Guggenheim, the director of An Inconvenient Truth and It Might Get Loud, which featured U2 guitarist the Edge, and so comes with an air of directorial independence; it is not a thing of unadulterated self-celebration," he wrote, adding: "Though it makes its way to a happy ending, with some laughs along the way, this is largely a story of institutional drag, communication breakdowns, false starts and failures; one of its points .. is that the same show that felt like the 90 best minutes of your life might leave the people who played it angry and depressed and thinking about making a change." Dan Aquilante of the NY Post gave the doc three out of four stars. "The film is filled with surprises that many fans will see as revelations, such as Mullen's steely hesitance to share percussion duties with a computer drum program, and how the Edge was literally at the edge -- distraught over his dissolving marriage (chronicled in the song 'Love Is Blindness')," he wrote, though he added that "had there been more insights on how the individual songs of Achtung Baby were created, the documentary would have benefited.But, what this film does capture nicely, is the band's camaraderie, even during difficult times." PHOTOS: 20 Best and Worst Music to Movie Crossovers The NY Times' Neil Genzlinger notes that the movie has some "nice" moments and is "at its most interesting when it touches on the remarkable historical moment that gave rise to Achtung Baby and when it examines the creation of the album's songs," he wrote. Genzlinger added: "Artists' windy chatter about their creative angst rarely makes interesting listening for anyone but hard-core fans, and there's a fair amount of it in From the Sky Down," he wrote. "But the film ... has a few segments that get beyond platitudes." Meanwhile, Hank Steuver of the Washington Post called the doc "intriguing." "From the Sky Down is packed with enough songs and performance footage to stoke a viewer's romance with U2, but it never loses sight that it is about a technical process," he wrote. "It's about how all the little compromises can still add up to a more solid creation. Related Topics Davis Guggenheim U2 Bono The Edge

Shane Meadows Making Stone Roses Film

We want him to inform us what is going on downAfter an acrimonious decade approximately, 1990's indie nobleman The Stone Roses have reserve their variations and introduced a number of comeback gigs. There is some speculation a week ago why Shane Meadows was hiding in the press conference, however we all know: Meadows continues to be commissioned to create a film concerning the Stone Roses' return. He will show us an image, an outrageous apparition, that sings towards the depths in our souls. Or something like that.For the more youthful visitors, The Stone Roses - singer Ian Brown, guitar hero John Squire, bassist Mani and drummer Reni - slouched to the top indie charts within the late 1980s, having a self-entitled debut album and infectiously groovy singles like Elephant Stone, She Bangs the Drums, and also the essential Fool's Gold. These were in the vanguard of Madchester, although a bitter dispute using their record label Silvertone (which at some point saw this guitar rock band trashing the Silvertone offices with fresh paint) meant they effectively sitting the whole scene. They eventually resurfaced in 1994 for that Second Coming LP, but half this guitar rock band quit throughout the ensuing tour.Some time and potential earnings can heal lots of rifts though, cheap ticket sales for that comeback gigs within the hour they first grew to become available were somewhere around £20m, indicates the Roses have valid reason to become nice to one another for some time. But when Meadows, making his documentary debut, is offered all-areas access and final cut, there's every chance that we'll see some interesting behind-the-moments drama. Additionally, there are the position the band were always infamously awful live... We are sure they'll keep on through everything.The Sheffield and London-based Warp Films are behind the development. Appropriate that, since besides their resume include music documentaries (The Arctic Apes the All Tomorrow's Parties festival), they also introduced us Meadows' Dead Man's Footwear which Is England. From fractious baggy bands, Meadows can also be presently focusing on further This Really Is England series' for TV: This Really Is England '88 and '90 follows last year's '86.

Latest Dragon Tattoo Poster Comes Forth in the Thaw

Another day, another goodie from the viral treasure chest also known as Mouth Taped Shut. The official Girl With the Dragon Tattoo repository has unveiled a new poster borrowing — as recently promised by director David Fincher — the Swedish adage that we’ve already seen accompany two other Dragon Tattoo properties. Anyway, let’s not belabor this… see below for the latest. [Mouth Taped Shut] Follow S.T. VanAirsdale on Twitter. Follow Movieline on Twitter.

For Hollywood creatives, existence imitates art

Large business supplies a resource of crooks in movies and tv since the medium's infancy, layed out by Frank Capra films and adaptations of Charles Dickens -- and attaining recognition in modern occasions due to the villainous void created with the Cold War's finish.The Occupy Wall Street movement, however, features restored target the look from the products Leader Obama has recognized to as "body body fat-cat bankers," whose relationship with Hollywood's creative community is increased by their uncomfortable resemblance to another distrusted elite -- namely, body body fat-cat media moguls, presiding over ever-bigger conglomerates.Corporate overlords have extended embodied ruthlessness in popular culture, a historic trend the Wall Street Journal recently looked into. Despite Hollywood's perceived liberal bent, the piece noted that such movies are motivated less by politics than screenwriters and company company directors "showing their unique perennial bitterness of bottom-line focused studio heads, who frequently goal to dilute a film's message for mass-market appeal."Nevertheless, the net gain-above-all-else plotline has risen from essentially evicting the happy people of "It's a Wonderful Life's" Bedford Falls to dazzling sci-fi extremes. The bottom line is, in movies and TV, professionals aren't above engineering a killing to produce one.Since the Berlin Wall fell, business's offenses include complicity in nuclear annihilation (CBS' "Jericho"), tampering with existence and dying (the newest "Torchwood," subtitled "Miracle Day") and perhaps the pinnacle of bigscreen evil, the media magnate as Jason Bourne villain ("Tomorrow Never Dies"). Tellingly, in remaking "The Manchurian Candidate," the string-yanking heavies moved from communists to companies.The quantity of malevolence signifies that antipathy toward greedy multinational monoliths has already established around the much much deeper hue, with Hollywood's understanding of economic colored and informed with the media's altering structure. Creative talent interacts daily with major art galleries which are currently cogs in massive up and lower integrated companies -- and involved with fractious discussions with people organizations, layed out with the 2007-08 authors strike.The particular tension or painful recollections were reflected inside the statement launched by lately selected Authors Guild of America, West leader Christopher Keyser, showing solidarity while using Occupy protestors."The businesses and individuals who gambled with this particular future, who developed a killing on that wager after which it got bailed out by us, have came back with robust profits and unconscionable salaries," Keyser pointed out. "Nobody has paid out an expense for the nevertheless the American worker."In the distance, the WGA did not have overriding reason to use the fray. But as Keyser noted, there's an operating element, too: Art galleries use their formidable assets to lobby Washington and advance their interests "with pricey megaphone the all-too-flexible rules permit. We will not be quiet responding.InchObviously, Hollywood talent identifies with downtrodden labor, even if their unique elite people command the kind of stratospheric salaries that vault them into the much-spoken about top 1% of wage earners.Through the strike, many authors evoked the political language in the sixties to define the struggle, just before the current Occupy campaign. Indeed, activist Jesse Jackson overtly used civil rights era rhetoric to describe the scribes' lot.The legal right to participate the industry's growth signifies "part of a larger struggle in the united states today," Jackson told a entertaining crowd four years ago -- evaluating writers' plight to Martin Luther King Junior. championing Memphis garbage employees and Cesar Chavez's efforts regarding farm employees, typically the most popular theme being, "Too handful of people desire to control a lot of.InchOf course, putting on lower third functions of crime dramas hardly qualifies as hard physical work. But feelings of powerlessness -- or otherwise feeling overmatched -- in dealings with modern media behemoths have coalesced in to a strong sense of injustice.People producers confused at the begining of the 19 nineties also harbor another memory: what sort of vibrant business class lost the controlling battle to preserve the financial interest and distribution rules, paving the means by which for your network-studio consolidation that adopted together with a dramatic reduction in the quantity of independent TV companies.Under a period later, the expansion community looks much different, in the world dealing with upheaval on separate but somewhat parallel digital and political tracks.Consequently, the so-referred to as "body body fat-cats" better resign themselves to being vilified, the truth is and Hollywood's more often than not much better-searching version. Because inside the eyes of screenwriters, company company directors and stars, their interplay while using industry's consolidated oligopoly remains one short on happy being. Contact John Lowry at john.lowry@variety.com

Community Plans Musical Episode for your Holidays

Community Community will get inside the holiday spirit once again. Last season, the NBC sitcom celebrated Christmas getting an end-motion animated episode. This year, the series will spread holiday cheer getting a musical episode, according to TVLine. The episode will uncover the Greendale study group expected to complete for your school's glee club. Saturday Evening Live's Taran Killam will guest-star as Greendale's eccentric choir director. Community Exclusive: Malcolm-Jamal Warner returns... to remarry Shirley? However, audiences shouldn't expect classic Christmas carols: The study group will probably be undertaking all original tunes, in line with the report. Community, which airs on Thursdays at 8/7c on NBC, has handled singing before. Last year's Christmas episode featured a geniune song and Season 3 opened up up by getting a more sophisticated musical number/dream sequence. Will you see the musical episode?

Social Energy Ratings: Hawaii Five- Won't Be Canceled

Alex O'Loughlin Hey, you know what, men? The earth has managed to get safe for Alex O'Loughlin to get rid of his shirt not less than another full season of Hawaii Five-. Yes, you heard right the show is not likely to be canceled in the near future.However when that fateful day comes, be careful! Whenever we basically recommended the show is not carrying out in addition to it's previously, y'all got your pitchforks and cauldrons of boiling oil and stormed the castle! "Five-? Seriously? It simply will get better every week - not a way if it is dropped," stated Facebook user Paul Grey. Twitter follower @ssigafoos was a bit more direct. "Eleven million audiences. Leading demo/timeslot all season. Most DVR'd show on CBS. The peeps @TVGuide are clearly drunk." And?! (Hic.)However, not everyone has signed onto the Cult of Aloha Abs. Commenter Barbreader likes the show, but "wouldn't miss whether it disappeared." (Duck, Barbreader!)Other subjects which have TVGuide.com customers hot and bothered now? The Beautiful Little Liars Halloween-designed prequel given credence to game-altering ideas about "A"'s identity and that we met Rossi's crictally ill first ex-wife on Criminal Minds.Return anytime to determine the most recent Social Energy Ratings, that are up-to-date instantly through the week.

Symbols are stars, too

Stacy Keibler and George Clooney Alexander Payne and Tom RothmanShailene Woodley, Nancy Utley and Judy Greer.Fox Searchlight's "The Descendants" closed the 49th edition from the NY Film Fest on Sunday.Once inside Alice Tully Hall, longtime Film Society program director and mind from the fest's selection committee, Richard Pena, openly introduced his departure in 2012.Visitors did not allow the news stop them from taking pleasure in the Stone Rose Lounge after-party, where pic's Robert Forster and Fox's Tom Rothman spent part one from the evening around the party area using their particular partners.Star George Clooney made the decision against revealing his moves in support of a glass or two and hors d'oeuvres. Thesp talked with Richard Kind before departing right after the festivities commenced.Alexander Payne, however, welcomed visitors before the wee hrs. Based on the helmer, employing the dapper Clooney to experience a helpless, middle-aged father of two would be a no-brainer."I do not provide a fuck concerning the context from the actor," Payne stated. "I've an idea of the iconography, however when I am creating a film I am only concerned that they're stars playing parts. Period." Contact Addie Morfoot at news@variety.com

E! News' Giuliana Rancic Diagnosed With Breast Cancer

E! News anchor Giuliana Rancic is battling breast cancer, she revealed Monday on the Today show.our editor recommendsBravo's Andy Cohen and E!'s Giuliana Rancic to Co-Host 2011 Miss USA Pageant Doctors discovered a tumor during a mammogram she received while undergoing in-vitro fertilization. She has been vocal about her attempts to get pregnant with husband Bill Rancic, the winner of The Apprentice. Her first attempt at IVF ended in miscarriage, and her second attempt was not successful. STORY: Bravo's Andy Cohen and E!'s Giuliana Rancic to Co-Host 2011 Miss USA Pageant Rancic will undergo surgery this week and then faces six weeks of radiation therapy, she revealed on the Today show Monday. She says the prognosis is good because the disease was detected early. Rancic, 36, said she wasn't planning on having a mammogram until she turned 40, but her IVF doctor suggested she get one earlier. STORY: E!'s Oscars Red Carpet Show Sets Record "I still want this baby ... because this baby has saved my life," she said on the Today show. "I truly feel God was looking out after me ... If I had gotten pregnant later down the line, I could have been a lot sicker." She says Rancic has been "unbelievable. The best thing about Bill is, he lets me cry when I want to cry." Rancic - who also co-hosts E!'s Style Police and has a reality show on the Style Network -- will still try to get pregnant. STORY: Style orders more 'Giuliana & Bill' This October is the 25th anniversary of National Breast Cancer Awareness Month. Related Topics Giuliana Rancic

From Seoul to Varanasi (Varanasi)

A Treefilm production. (International sales: Treefilm, Seoul.) Produced by Choi Mi-ae. Directed, written by Jeon Kyu-hwan.With: Yoon Dong-hwan, Choi Won-jung, Shin Ye-an, Nollaig Walsh, Nigel D'Sa, Cassandra Holmes.Korean auteur Jeon Kyu-hwan successfully harnesses the fragmented narrative style of films such as "Babel" and "21 Grams" in "From Seoul to Varanasi," a tantalizing tapestry of troubled relationships. While the pic will provoke headscratching from some auds, Jeon adroitly establishes a sense of foreboding and dispenses the requisite narrative details in this ambitious drama about a philandering publisher, his cowed wife and their eventual journey to India. Given the repthe helmer established with his "Town" trilogy, pic should ready its passport for fest travel, though its frank nudity will confine domestic biz to South Korea's indie fringe. Like the aforementioned films scripted by Guillermo Arriaga and helmed by Alejandro Gonzalez Inarritu, "From Seoul to Varanasi" offers a kaleidoscopic introduction to its protagonists. In seemingly random but actually calculated and judicious fashion, Jeon quickly presents book publisher Yeong-woo (Yoon Dong-hwan) having sex in various hotels with his mistress, Su-yeon (Shin Ye-an), a writer for his publishing house. Audacious glimpses of full-frontal nudity are juxtaposed with scenes of another woman, later revealed to be Yeong-woo's wife, Ji-yeong (Choi Won-jung), seen variously walking the streets of Indian holy city Varanasi (in flash-forward) and attending what looks like a yoga class in Seoul (in the present). Other faces include Kerim (Nollaig Walsh), a Lebanese waiter in an Indian restaurant; his sibling, yoga teacher Samira (Cassandra Holmes); and a glaring, bespectacled man of unknown origin (Nigel D'Sa). Before it becomes clear who's who, the helmer gently familiarizes auds with each character's presence, like a chef stirring together subtle ingredients to create a potent brew. While exiting a car park, Ji-yeong damages a curbside sign for the Indian eatery where Kerim works, and supplies her phone number so she can be billed for repairs. Later, Kerim is rushed to the hospital after collapsing in the street; since Ji-yeong's phone number is in his pocket, the hospital staff call her. Ji-yeong is intrigued and attracted not only to Kerim, but also to the wider world he represents, and the film deftly demonstrates how, as Yeong-woo's wife withdraws, his affair with Su-yeon becomes increasingly troubled. The script falters when a subplot about Islamic terrorism comes to the fore; while Jeon deals astutely with relationship terrain, his grip on geopolitics seems less certain. As the film reaches its India-set conclusion, it undermines itself by remaining unclear about what it intends to achieve once most of the characters have made it to Varanasi. On the whole, perfs are superb. Physically towering over everyone else with his polished scalp, Yoon is an unusual male lead for a Korean film, backing up his striking appearance with a fiery screen presence as natural as it is intense. Shin nails the challenging role of a woman realizing her b.f. and boss is drifting away from her, while Choi, somewhat overshadowed, is appropriately low-key as the housewife looking for love and for herself. While the non-Korean thesps mostly communicate in English, Walsh is equally convincing in his Korean-language scenes with Choi. Burdened with the script's most cliched character, D'Sa is distinguished only by his glazed stare. Digital lensing is on the grainy side, but Jeon makes this low-budget look work for him, creating the cool impression of a scientist examining his specimens. In tandem with this detached, almost clinical approach, the foreboding score by Choi In-yang and Kim Soo-hee continually and effectively works to sharpen audience curiosity.Camera (color, HD), Choi Jung-soon; editors, Han Jong-hoon, Park Hae-oh; music, Choi In-yang, Kim Soo-hee; sound, Lee Sung-ho. Reviewed at Busan Film Festival (Korean Cinema Today), Oct. 9, 2011. Running time: 96 MIN. Contact the Variety newsroom at news@variety.com

'Steel' edges 'Footloose' at domestic B.O.

'Real Steel''Footloose'In an aggressive dance-off for that domestic B.O.'s top place, "Real Steel" and "Footloose" came within hailing distance of each other, though Disney is calculating the first kind pic at No. 1 with $16.3 million. Paramount's dance redux first showed by having an believed $16.a million.Successful easier overseas, "Real Steel" nabbed $23.3 million from 28 areas (41% from the worldwide market). Pic has cumed worldwide $108.3 million after two days.The Stateside showdown between "Real Steel" and "Footloose" came lower to Sunday's forecasts, with Disney calculating that DreamWorks' "Real Steel" is going to do better on that day, because of the film's stronghold among family auds. "Footloose," which came a substantial over-35 femme crowd, could still visit a Sunday bump, as moms and kids go to the multiplexes.Also bowing a few days ago, twentieth century Fox's adult-skewing comedy "The Large Year" unsuccessful to consider flight, having a paltry $3.3 million through Sunday.Universal's "The One Thing" -- a prequel to John Carpenter's original 1982 film -- first showed within the U.S., generating a forecasted $8.7 million. That's substantially less than expected pre-weekend monitoring had the film called to earn within the low-double numbers. Worldwide, the film gained $1.5 million from 5 marketplaces. Contact Andrew Stewart at andrew.stewart@variety.com

Tom Savini look in Django Unchained

Effects genius Tom Savini look as you're watching camera in Quentin Tarantino's slave western Django Unchained.Savini's playing Elvis Brittle, one of the outlaw Brittle brothers and sisters who sell Django and also the wife Broomhilda in to a information on slavery, instigating the circumstances adding to Django's rampage of revenge.Savini's labored with Tarantino before clearly, acting alongside him in From Dusk 'Til Beginning, and turning up in Tarantino-related projects Planet Terror and Machete, but this really is really the first time QT will probably be calling action on his old friend.Savini joins a formerly impressive cast including Jamie Foxx, Christoph Waltz, Leonardo DiCaprio, Samuel L Jackson, Kurt Russell and Don Manley.Django Unchained will probably be released in 2012, that's presently searching being the best year inside the good status for cinema.

Paul Wesley and Frederick Morgan Discuss Their Vampire Journals Bromance

Paul Wesley, Frederick Morgan Sure, Elena (Nina Dobrev) keeps growing nearer to Damon (Ian Somerhalder), Caroline (Candice Accola) is cozying as much as Tyler (Michael Trevino), and Jeremy (Steven R. McQueen) is connecting with Bonnie (Kat Graham), however the couple we are really digging is sexy vampire BFFs Stefan (Paul Wesley) and Klaus (Frederick Morgan). And merely wait until the thing is the bloody damage they are doing about this week's episode. However, the stars discuss associations, redemption, being British and playing bad. TV Guide Magazine: You wreak havoc so well together. You had been pals before Frederick became a member of the show, were not you? Wesley: We met through buddies and immediately were built with a good rapport. Joseph's a very awesome guy and thus after i was speaking with [executive producer] Julie Plec about Klaus, I stated, "You need to consider this person Frederick Morgan." Morgan: I wondered why Julie told casting to call me! Wesley: And six several weeks later I heard he was cast. TV Guide Magazine: Your figures are killing their way through America, attempting to develop a hybrid werewolf-vampire military. What's it prefer to collaborate on such intense, bloodstream-drenched moments? Morgan: Klaus really just wants companionship with someone as dark, otherwise more dark, than he's, therefore the more we explore Stefan the Ripper, the greater fun we now have. Wesley: What's awesome, too, is the fact that our figures have this history. Stefan just discovered that he'd been compelled to forget that Klaus and that he were pals previously. It's totally shocking to him, however it makes him see Klaus not only because this archetypal evil guy. He's all of a sudden a man that Stefan empathizes with. Morgan: I am so excited to determine what lengths Stefan goes. I question whether he'll exceed Klaus in the evilness. Wesley: I am all for your! TV Guide Magazine: Seems like you are getting a great time playing Ripper Stefan. Wesley: It's just like a weight is off my shoulders, honestly. I had been reducing on Stefan in Season 2. He required to show more defects. You won't ever saw him taking pleasure in themself while he was always safeguarding everybody. Therefore it is nice not to have this oppressive air of him always requiring to behave the proper way. TV Guide Magazine: But exactly how bad can Stefan go before he can not be pardoned? He's said to be the show's romantic hero! Wesley: Even if he's to date gone that you simply think there is no way we are ever likely to like or trust this person again, I still believe the authors possess the capacity of redeeming him. Morgan: Damon's been pardoned. For much. However with my character killing Aunt Jenna [Sara Canning], I actually do question if there's any redemption there. Wesley: I believe it is extremely easy to redeem you. Morgan: You'll forgive me? Wesley: Yes, but I am biased. TV Guide Magazine: This seems like a genuine bromance. Morgan: It's sounding a little suspect. We have to tone it lower! TV Guide Magazine: Will this be considered a lengthy-term relationship? Morgan: I do not think someone's likely to appear and re-compel Stefan in a few days and everything dates back to normalcy and he's with Elena. As with every relationship, it'll have more complicated and make more layers. I'm excited to determine where it is going. Wesley: Can i have an Episode 13 breakup text of your stuff? Morgan: I will not get it done by text. TV Guide Magazine: Between the killings, can fans expect any romantic interludes of these men? Wesley: When there's a lot evil to complete, there's very little room for really emotional, visceral romance. What is your opinion, dude? Morgan: I question how Klaus would respond to an intimate interest. He's a complete self-involved egomaniac. But a minimum of he's protective of his sister Rebecca [Claire Holt], so which has been a pleasant change. TV Guide Magazine: Julie Plec indicates that Klaus wasn't born evil but that his parents just did not love him enough. Morgan: Yeah, he's the merchandise of the dysfunctional family. The daddy of his brothers and sisters is not his father - his mother had an affair with someone from the werewolf bloodline. So almost always there is been that sense of not loved around his brothers and sisters. He carries his entire family around in boxes. I really like that. He's wiped out them basically he wants to ensure that they're close. Now he wants Stefan which hybrid military to become his new family, to exchange the love he's missing. TV Guide Magazine: But Stefan is keeping something pretty large from Klaus, the truth that Elena didn't die throughout the sacrifice. Morgan: [That secret] needs to be released in the event that friendship occasion to progress. Wesley: Every relationship is all about trust, Klaus. Otherwise we must split up. [They laugh.] TV Guide Magazine: Has Stefan discovered about Elena and Damon's growing closeness? What's going to he do? Wesley: He suspects. However the more he gives directly into his Ripper ways, the less concerned he's. The further he's from Elena, the even further away he's from his humanity. Morgan: Stefan and Elena must be drawn apart we needed to see more turmoil. Also, there's a large Damon and Elena team available rooting to allow them to be together. TV Guide Magazine: Sooner or later, does not it appear that Stefan will need to choose from Klaus and Elena? Wesley: Basically needed to speculate, I'd think that might be a compelling and dramatic method of starting off the storyline. Or possibly something may happen to Klaus. Morgan: [Laughs] I'm not sure just how much I'd fancy Klaus' chances. There is however always likely to be that link between Elena and Stefan. So perhaps eventually, which will win. Will not it? TV Guide Magazine: Romantic! Here's your first American series, Frederick. What type of tips did he has, Paul? Wesley: I simply told him to not be so damned British! None of this "cheerio" garbage. Morgan: And So I attempt to put as numerous cheerios in when i can. The Vampire Journals airs Thursdays at 8/7c around the CW. Sign up for TV Guide Magazine now!

Taylor Quick Named Ads Lady Of Year

First Launched: October 11, 2011 12:54 PM EDT Credit: Getty Images NY, N.Y. -- Caption Taylor Quick attends the 41st annual Songwriters Hall of Fame within the NY Marriott Marquis on The Following Month, 2010 in NY CityIts another recognition for Taylor Quick. The country music celebrity remains crowned Lady of year by Billboard magazine. The 21-year-old multiplatinum singer-songwriter might be the youngest to find the award, which has attended Beyonce, Reba McEntire and Fergie. She'll be honored within the 2011 Billboard Women in Music event in NY on 12 ,. 2. Her latest album, Speak Now, has offered over 3.6 000 0000 copies since its release last fall, and shes offered most likely probably the most albums connected having a artist within the this past year. It's the latest recognition for Quick, who increased being the youngest person to win the Grammy for top album for Courageous this season. She's also won several ACM, CMA and AMA honours. Quick is presently around the national tour. (Copyright 2011 by Connected Press. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed) Copyright 2011 by NBC Universal, Corporation. All rights reserved. These elements is probably not launched, broadcast, rewritten or redistributed.

Cheers & Jeers: Boardwalk Empire: We Love Lucy

Paz de la Huerta Cheers to Paz de la Huerta for showing off a new side of herself on Boardwalk Empire. Want more Cheers & Jeers? Subscribe to TV Guide Magazine now! In Season 1 of HBO's Atlantic City gangland epic, de la Huerta's character, woozy showgirl Lucy Danziger was notable mostly for her frequent nudity. Now that she's carrying the illegitimate child of fed Nelson Van Alden (the Emmy-worthy Michael Shannon), the role is pregnant with possibilities. She's not the only Boardwalk denizen with newfound great expectations. Kelly Macdonald's Margaret Schroeder is displaying a heretofore unseen steeliness as partner - in crime, as well as otherwise - to embattled treasurer Nucky Thompson (Steve Buscemi). And in his quest to usurp power back from onetime protégé Nucky, Dabney Coleman's Commodore is proving that whatever didn't kill him made him stronger. Do you think Season 2 of Boardwalk Empire rules? Subscribe to TV Guide Magazine now!

Brnice Marlohe, Helen McCrory and Ben Whishaw on for Bond 23?

According to the Daily Mail's Baz Bamigboye, French actress Bérénice Marlohe is the new Bond girl, and Helen McCrory and Ben Whishaw will also be joining her in 007's latest adventure.While the reports are unconfirmed, Bamigboye does have form in this area, announcing the likes of Naomie Harris and Ralph Fiennes previously.Marlohe is hasn't really done anything yet that would have reached a wide international audience, which could benefit her when it comes to playing what's bound to be a mysterious, glamourous and unreadable figure.According to the report, she impressed Sam Mendes at a screen test at Pinewood Studios.McCrory and Whishaw's roles aren't clear yet. The former is probably best known for playing Narcissa Malfoy in a few Harry Potters, and she was Cherie Blair in The Queen.It's as easy to imagine her playing a top-level agent or someone altogether more sinister (she was originally tapped to play HP's Bellatrix Lestrange before pregnancy got in the way).Likewise, Whishaw would fit the role of a rookie agent as well as a weaselly villain.Mendes' Bond 23, rumoured to be called Skyfall, is shaping up to be one of the classiest Bond outings yet.Daniel Craig is returning as 007, Ralph Fiennes and Javier Bardem are lined up as the villains, and Naomie Harris will be Moneypenny.And we only have to wait just over a year (26 October 2012, to be precise) to see it...

American Horror Story Off To Solid Start

Ryan Murphy and Brad Falcuk’s new FX drama series American Horror Story launched with 3.2 million viewers and 2 million adults 18-49 at 10 PM last night. It matched the premiere demo rating of Murphy’s previous FX series, the hit Nip/Tuck, and was up 33% from the series debut of FX’s current flagship drama Sons of Anarchy (1.5 million). It is running behind the all-time FX champ — the series premiere of FX’s signature cop drama The Shield, which collared 3.2 million viewers in 18-49 — but that might change, according to FX president and general manager John Landgraf. Were really thrilled by the premiere ratings performance of American Horror Story, he said. We know that when the Live+7 ratings come in, that of the 13 drama series FX has premiered, AHS will rank at least No. 2 all-time in adults 18-49 behind The Shield, and there is a possibility that it could be our highest ever. Landgraf also noted the spike in social media traffic triggered by the AHS premiere. For its premiere night, including two encores, AHS averaged 5 million viewers, 3.2 million of them in the adults 18-49 demo.

About This Time Around We Awkwardly Referred to the saying 'Manic Pixie Dream Girl' to Kirsten Dunst

Manic Pixie Dream Girl can be a term produced by Audio-video Club author Nathan Rabin after watching Kirsten Dunst's performance inside the 2005 Cameron Crowe film 'Elizabethtown.' Rabin describes the Manic Pixie Dream Girl just like a, "film creature that's available solely inside the fevered creativity of sensitive author-company company directors to coach broodingly soulful teens to embrace existence which is infinite mysteries and adventures." The term is continuing to grow to encompass performances as legendary as Carol Golightly in 'Breakfast at Tiffany's' to more recent performances like Zooey Deschanel's turn as Summer season Finn in '(500) Occasions of Summer season.' I spoke to Dunst this mid-day about her award-winning role in 'Melancholia,' then when I asked for her to go over the phenomenon of MPDGs, I thought she understood the term. Alas, she did not. The conclusion result was myself awkwardly trying to exhibit Kirsten Dunst the saying a Manic Pixie Dream Girl -- something I did so very poorly. What's your opinion in the term Manic Pixie Dream Girl? What's that? Oh... it absolutely was produced for that character in 'Elizabethtown.' Oh? It kind of means... That's so strange. What's it referred to as? The Manic Pixie... Manic Pixie Dream Girl. I guess what this means is that you've a dream girl who's also manic. And pixie-ant... but... I don't find I'm manic whatsoever. I'm very chill. Well, yeah, personally. In my opinion they mean your character. Oh, in 'Elizabethtown'? Yes. Right. So... However believe all Cameron's women are awesome getting a sparkle. You know what happens I'm speaking about? Like, they are always kind of, you understand... talk a lot of. You know what happens I'm speaking about? Carol Golightly is a superb one. Yeah, You're right. Yeah. What can you consider that term? I don't appreciate it, in truth. That's understandable. No, I don't. In my opinion it's strange sounding. [The publicist walks straight into signify our time expires] So, with this... [Photo: Everett Collection] You'll be able to contact Mike Ryan on Twitter. Follow Moviefone on Twitter Like Moviefone on Facebook RELATED: MANIC PIXIE DREAM Women The Evolution in the Manic Pixie Dream Girl From Audrey to Zooey A is ideal for Katherine Hepburn in 'Breakfast at Tiffany's'B is ideal for 'Breathless,' with Jean SebergC is ideal for Claudette Colbert in 'The Palm Beach Story'D is ideal for Kirsten Dunst in 'Elizabethtown'E is ideal for 'Eternal Sunshine in the Spotless Mind' with Kate WinsletF is ideal for 'Forgetting Sarah Marshall' with Mila KunisG is ideal for Geena Davis in 'The Accidental Tourist'H is ideal for Kate Hudson in 'Almost Famous'I is ideal for 'It's Kind of a fascinating Story' with Emma RobertsJ is ideal for Jeanne Moreau in 'Jules and Jim'K is ideal for Anna Karina in 'A Lady Can be a Lady'L is ideal for Liza Minelli in 'Arthur'M is ideal for Melanie Griffith in 'Something Wild'N is ideal for Natalie Portman in 'Garden Condition'O is ideal for 'One Crazy Summer season' with Demi MooreP is ideal for Nicole Kidman in 'LA Story'Q is ideal for Jackie Q., Rose Byrne's character in 'Get Him for the Greek'R is ideal for Jennifer Aniston in 'Pretty Lady'S is ideal for Sienna Burns in 'Factory Girl'T is ideal for Toronto (the setting of 'Scott Pilgrim versus. the earth')U is ideal for Uma Thurman in 'Pulp Fiction'V is ideal for 'Vivacious Lady' with Ginger root root RogersW is ideal for 'What's Up, Doc?' with Barbra StreisandX is ideal for X-rated Elisha Cuthbert in 'The Girl Nearby'Y is ideal for 'You Can't Accompany You' with Jean ArthurZ is ideal for Zooey Deschanel in '(500) Occasions of Summer season' See All Moviefone Galleries »

How Russian Broadcasters Are Trying to Lure Young Audiences Back to TV

It's 8 p.m., and Ilya Nikolayev, a Moscow state university student, is logging on to the Internet. Instead of watching the new Russian TV shows designed with him in mind, the 21-year-old prefers Facebook and its Russian equivalent, Vkontakte.our editor recommendsMIPCOM's Personality of the Year: Anne Sweeney Addresses TV's Digital Age, Lessons Learned (Q&A)MIPCOM 2011: 'The Firm' Showrunner Spills Secrets About NBC's New Midseason DramaMIPCOM 2011: Steven Van Zandt Goes Norwegian in Bilingual Gangster Thriller 'Lillyhammer'Will 'Transporter' Deliver?MIPCOM: Eddie Izzard on 'Treasure Island': Its More 'Goodfellas' Than 'Pirates of The Caribbean' "I can get everything I need online," he says. "Links to music tracks, videos, shows, anything. And I can get access to all that whenever I want to, so I don't really watch television much these days." Nikolayev's attitude is similar to that of millions of young Russians. It's a change that's sounding alarms within the country's TV sector, which is easily the largest and most profitable in Eastern Europe ($4.2 billion spent on TV ads in 2010). The decline in viewers is now leading Russia's biggest broadcasters to shake up programming in an effort to lure coveted younger viewers away from their laptops. It's a subject that will surely be front and center during a Focus on Russia sidebar at MIPCOM. During the past year, fewer Russians have been watching TV. According to media research group TNS Russia, from January to August 2011, 67.8 percent of the population age 4 and up watched television, down from 69 percent during the same period in 2010. (An estimated 95 percent of Americans watch TV.) Among the coveted 18-to-25 Russian demographic, the drop was an even more alarming 2.6 percent. It doesn't help matters that the Russian population is shrinking, making for fewer people to target in the most important demographic. "Younger people don't read papers and watch very little TV," says Konstantin Maksimyuk, creative director at market research company Novy Internet. "Television is for lazy and tired people, while the active and young choose the Internet as it gives them more interactive opportunities." According to TNS, an estimated 25 million Russians -- 17.5 percent of the population of 143 million -- use social network websites. Russia's handful of main national TV channels are protected from a full online onslaught as Internet penetration in far-flung regions lags behind that of main free-to-air channels. But when the Internet catches up, the decline of traditional TV might become more significant. Channels including Rossiya 1 and Rossiya 2, run by state-owned broadcaster VGTRK, say they have nothing to worry about, but the country's biggest TV network, Channel One, admits that its programming models are out of touch with contemporary Russian viewers. "You can't remain enthralled to outdated stereotypes," says Konstantin Ernst, general director of Channel One. "The television model, which effectively worked for 15 years, has deteriorated, broken down and exhausted itself. There is a need for new formats." Blue-chip dramas like CSI and Dexter are popular in Russia, but international reality formats such as Survivor, Big Brother and American Idol thrive. This helps explain why Russian programmers are targeting audiences with a mix of comedy and variety shows. Channel One is fighting to keep the viewers it has while reaching out to those it has never targeted. Beginning in 2012, the channel will switch its preferred demographic from 18-plus to 14-to-59 and offer targeted fare for age slivers within that bracket. Among the programs aiming for younger audiences are Channel One's edgy sketch-comedy shows Big Difference, Personality Cartoon and Yesterday Live, all of which feature irreverent content designed to compete with popular online fare like the website Funny or Die. Responding to the social networking buzz, by which foreign series generate more chatter than domestic fare, the station also has launched the late-night block Urban Hipsters, which will feature foreign series popular among Russian Internet audiences. Slated to run in that slot are Showtime's The Borgias and Californication, AMC's Mad Men and Fox's Terra Nova. In addition, Channel One hopes to entice younger viewers with the provocative Crash Course on Happy Life. Revolving around young, urban women, it is directed by Valeriya Gay Germanika, known for her teen-targeted show School, which shocked Russia's conservative viewers with its unflattering depiction of contemporary Moscow teenagers. Even channels with older audiences are acknowledging competition from the Internet. Ren TV, which targets viewers ages 35-to-45, has launched a website that allows viewers to watch the channel in real time and create their own programming. They only pay for shows they watch. "It's not really about opposition between television and the Internet," says Alexander Nechayev, deputy director general and programming director at NTV. "It's just another way of accessing the same content." Indeed, some Russian programmers see the growing popularity of online entertainment as more of an opportunity than a threat. "Television and the Internet will turn from competitors to partners, and work toward that end is actively in progress," says Vyacheslav Murugov, chief content officer at CTC Media and head of CTC Channel. Ultimately, it will be for Russian viewers to decide whether that model works for them. "That would be probably fun," says Nikolayev. "I mean, watching stuff and discussing it with friends in real time? But will it be considered television? I would still say it would be online stuff, and I would prefer to be doing it on my computer." MIPCOM 2011: Focus on Russia When: Oct. 3-6 RUSSIA'S TOP FIVE SHOWS: Hoping to crack the Russian market during MIPCOM? Local audiences prefer reality shows to scripted Let Them Talk: A talk show hosted by charismatic Andrey Malakhov, this Oprah-like program looks at day-to-day issues affecting average Russians, including crime, drugs, prostitution, family problems, migration and interethnic relations. Let's Get Married: A dating show on which a man or woman has dates with three potential partners and must pick one, with the benefit of advice from family and friends present in the studio. Confessions: A documentary show on which each episode focuses on a particular crime being investigated. In the past, Confessions has been criticized for exposing too many details about the private lives of its subjects. Big Races: The domestic version of the international hit Intervilles, produced by France's Mistral Productions, this game show features teams representing various countries who compete by performing increasingly absurd tasks. A Minute of Fame: Dreams Come True: A reality show on which participants compete for the opportunity to make their dreams -- which can consist of anything from meeting a celebrity to marrying an oligarch -- become reality. Related Topics International American Idol CSI: Crime Scene Investigation MIPCOM

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Ghetto Klown

A WestBeth Entertainment presentation of the show in 2 functions, written and carried out by John Leguizamo. Directed by Fisher Stevens. With: John Leguizamo.John Leguizamo has anatomized his personal devils in a number of rollicking one-guy shows. In the newest one, Broadway transfer "Ghetto Klown," he recounts his adventures within the screen trade while anatomizing his personal devils once more. Which would be to say individuals who've nothing you've seen prior seen this funny, cocky whirling dervish for action are likely to locate him because a gasser as did the Ricardo Montalban Theater's first evening audience. To repeaters the spectacle may appear overfamiliar, although the star has held back his A-material with this occasion. A pressure of character using the moves of the guy half his age (47), he takes assured command from the Montalban stage in equal measures of breakdancing and wearing down. A chronological structure takes him from his first breakthroughs of his carrying out bent, through early film roles and unsuccessful TV series ("House of Buggin'") to some really cold period within the the nineteen nineties. He's intelligent how his romantic (and erotic) escapades, arrested development and paralyzing father issues both informed and intruded upon his work. Helmer Fisher Stevens coordinates some fine multimedia effects, although the show feels lengthy and repetitious, and Stevens may have done more to bar an unpleasant feeling of entitlement from sneaking through. Following a fine story of methods Method-obsessed Sean Penn smacked the garbage from him throughout repeated assumes "Casualties of War," the majority of the on-set anecdotes concern Leguizamo's ad-libbing to develop his part, thus taking on the wrath of the kind of Steven Seagal on "Executive Decision" and Al Pacino on "Carlito's Way." Oddly enough, he directs his maximum contempt at lesser luminaries like Seagal and Kurt Russell, while giving megastars Penn and Pacino much more of a pass. Getting into another, effective marriage and fatherhood, thesp appears to possess acquired perspective on individuals around him who did him wrong, and definitely is candid about their own foibles. Yet "Ghetto Klown" indicates his voyage of self-awareness has not fully arrived at port. He particulars entering subway-vehicle conductor cubicles to commandeer the microphone for impressions and commentary, though if he's troubled through the effects should folks apart from future Golden Globe nominees be gone to live in similar mass transit misdemeanors, he never allows on. Inside a closing impromptu set around the IRT, Leguizamo pays tribute to his beloved gramps - the topic of the evening's most poignant moments undoubtedly - and lastly, belatedly, to Tweety, the seniors acting coach who required him on like a raw youth but whom he's been lampooning the majority of the evening. It would have been nice to listen to a sort word for math teacher Mr. Zufas ("rhymes with doofus"), who first pointed the lad towards a carrying out career and ended up him Tweety's contact details. What rhymes with ingrate? Still, Leguizamo's indisputable (if tempered) honesty will get us with the rough spots. Like a artist, he follows their own romantic advice: "You cannot make someone adore you. You just need to start them and hope they provide in." In "Ghetto Klown" he begins us with practiced skill, coolly certain we'll eventually succumb.Sets, Happy Massee lighting, Jen Schriever seem, Peter Fitzgerald forecasts, Aaron Gonzalez. Opened up, examined March. 2, 2011. Runs through March. 16. Running time: 2 Hrs, 15 MIN. Contact the range newsroom at news@variety.com

Sundance Channel HD rises in Malaysia

CANNES -- Expanding its reach in Asia, Sundance Channel Global has closed a carriage deal for Sundance Channel HD with Astro, Malaysia's key pay TV operator, in the run up to the Mipcom TV mart in Cannes. In addition to Malaysia, Sundance Channel Global is present in Taiwan, Korea, Singapore and in various countries throughout Europe and Canada. "Astro has made remarkable strides in leading Malaysia's adoption of high-definition TV and other technologies with Astro B.yond and we are excited to work with such a high-caliber operator in bringing our channel to this new territory," said Ed Palluth, senior VP of global distribution for AMC/Sundance Channel Global. Astro CEO Henry Tan said Astro's high-definition channels would greatly benefit from "Sundance Channel's outstanding programming and growing international footprint." Created by Robert Redford, Sundance Channel features a diverse selection of indie films, docus and original shows. Contact the Variety newsroom at news@variety.com

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